Jan 242012
 
Shootin' Guns

The landmark blue onion dome with its stallion on top of Colt’s Manufacturing Company’s original buildings in Hartford is a reminder of the company’s long industrial history and connection to the city. My first spacious studio was in one of its former manufacturing floors. I had done work for Colt’s several years back, and was happy to be working with them again photographing their complete line of handguns and rifles for the new catalog.

The challenge in photographing a diverse mixture of finishes and textures was to have a coherent lighting style throughout the catalog. While developing a lighting system that would work for either the chrome pieces or the black matte finishes, I ended up by making my own lighting panels which allowed for much needed control.

colts arWorking primarily with two sets – one for the straight product shots and the other for angled three-dimensional beauty shots, it was just a matter of figuring out how to hold the guns to allow for easy silhouetting. Floating the handguns and rifles in the center of the set allowed the light to wrap around from all sides so that detail and definition could be brought out where needed. This set up created dimensionality while allowing a delicate balance controlling detail on surfaces and textures. When photographing metals, it is often more about the light reflected than the light on the product – which worked well generally, except for some matte finishes designed not to reflect light at all, and for those, some extra tweaks were necessary.

How do you suspend a gun in mid air gun without blocking any vital visible part? Well, the rifles were easy enough because slots in the surfaces allowed for three pointed suspension with hooked wires from the rear, but the handguns were a different puzzle. I was told that photographers often drilled holes in the magazines to hold it up, but I was determined to find a different non-destructive solution.

colts revolverWhat would hold a gun from the bottom or rear? There was no easy way to clamp it, and I needed something that could be adjustable and flexible. I have a magnet on my desk with a bunch of steel balls stuck to it, and it suddenly dawned on me – a magnet! But not just any magnet would do, because holding the gun by the magazine at the bottom made it too front heavy and would tip over. What I needed was a “super magnet”!

With a little Googlin’ I found my super magnet and it worked perfectly. Made out of something called Neodymium and costing fifty bucks for a half-inch by 2 inch block, it came with all kinds of warnings about pinching fingers, pacemakers, keeping away from other electronic equipment and curiously enough, not to be inserted into any part of the body. Really?

Jan 022012
 
Afraid of Heights?

“Are you afraid of heights?” asked Mel as I was being strapped with a body harness. “Well, not usually but how far up does this thing go?” I replied. “120 feet!”, he said with a big smile.  How much worse can this be, I thought, than doing aerial photography hanging out of helicopters with the door removed, and only the seat belt holding me in?

melvin - bucket operator

Mel Connor - note the shadow of bucket on lower right.

I was going up in a bucket to get some overall views of the new Indian Orchard Solar Facility for Western Massachusetts Electric Company (WMECo) prior to the dedication the following day. Built on the site of a former foundry in Springfield, the 8,200 solar panels produce about 2.3MW of clean renewable energy and is the largest solar facility in New England.

Last year I photographed WMECo’s first solar facility in Pittsfield and also went up in a bucket, albeit a smaller truck at less altitude. This time it was a new massive spiffy rig used primarily for transmission line repair. I was amazed how far up and around the scissor arms were able to reach. Safety is always first priority and Mel made sure all went well, plus did some excellent maneuvering for great aerial views showing the vastness of the facility.  And about the height, let’s just say I was glad it was not a windy day.

Wishing you a Happy, Prosperous and Healthy New Year!

Nov 282011
 
Timing and Luck

A week without power due to the freak October storm really scrambled our deadline driven business, and blog entries fell to the wayside. A last minute assignment with hundreds of images had to be processed and edited on my laptop when there was no power. While keeping a weary eye on the quickly draining battery, I was able to get it done with less than 10 percent left to spare. A generator is definitely on my list now.

I received this fall’s issue of Choate Rosemary Hall School Magazine and like last year, I was happy to see that an image I took from the graduation ceremonies made the cover. Knowing that a cover worthy image is needed becomes a goal and challenge while trying to capture that decisive gesture or moment. How could I show graduation on it’s simplest visual terms and still have some resemblance of the event?

In keeping with the principles of a clean, simple cover, I thought that the awarding of the diploma was a key visual and a close-up would reduce it to its basic elements. I liked the fact that the ceremonies was held under a white canvas canopy which offered nicely diffused light and with the sunlit audience in the background, I knew it would be over-exposed but would show as a background of bright out of focus colors due to the long telephoto lens. All I needed was for several elements to come together at the exact moment: first, a good handshake between the headmaster and student; second, I wanted to see the diploma clearly with the school’s name to really personalize the shot; and third, it all had to work well in a tight vertical frame .

After more than 50 tries, all the elements came together and told the story in this one image. At the same precise moment, the school’s photographer also took the picture from the left and his flash added nice side rim lighting bringing some extra detail as a nice bonus. With enough tries and some luck, it all came together nicely.

 
A Mass and a Missile

Finally got around to buying a new desktop scanner, and while looking thru my film archives to run some tests on black and white negatives, I came across this image which always intrigued me. Taken in Warren, New Hampshire (Pop. 904), one comes across the usual landmarks – the town hall, schoolhouses, churches and a Redstone ballistic missile. Wait, did I just see a missile erected on the green?

Warren’s famous 70 foot Redstone Intermediate Ballistic Missile landmark can still be seen today, and it has become an unique attraction in an otherwise quaint town in the White Mountains. The story goes that one local  Henry “Ted” Asselin, while stationed in Alabama, noticed a field filled with surplus Army missiles, and thought that one would make a perfect display on his hometown. He thought that the children were far removed from the space program, and that a real rocket would spur interest. Besides, the first astronaut in space, Alan Shepherd was a New Hampshire native and his flight was powered by Redstone rockets.

After much persuasion and negotiation, the Army finally decided to release the decommissioned missile for display purposes, but the town had to pay for the 1300 mile transport. The town approved the terms and got a local trucker with a 77 foot trailer to drive down to Alabama with a cashier’s check to pick up the missile. Must have been a curious site in simpler times, seeing a missile loaded on a truck trekking north. After a few hefty fines for passing through some states without permits, getting lost, having the truck break down and towed to the state capitol, it finally arrived in Warren in April of 1971.

A welcome committee waiting in Warren got notice that the Redstone rocket was approaching and raced south to greet it, only to realize that it was actually a local septic tank truck. “Ted” Asselin knew at that moment that bringing the space program a bit closer to Warren was a good move.